When representing a Color Space as a cone, hue is the rotation, saturation is the radius, and brightness is the height axis.
The human eye is more sensitive to luminance components than color components. This means that if the contrast is matched correctly, people will hardly notice if colors are slightly faded. That's why subsampling is often used to compress by reducing the color difference information (Cb, Cr) while preserving the brightness information (Y) that humans are more sensitive to. Colors with 24 bits or more are called true colors.
Wavelength 가 prism 에 not fully separated, artists call this warm and cool colours. When we open the Parenthesis,
Color Spaces Notion
Color Spaces

- Isaac Newton’s circle, 1704 (approximation)
- Otto Runge’s sphere, 1810
- Jame Clerk Maxwell’s triangle, 1855
- Herman von Helmholtz diagram, 1867 (approximation)
- William Benson’s cube, 1868
- August Kirschmann’s double cone, 1895
- Erwin Schrodinger’s non-Euclidean space, 1920
- David MacAdam’s Coptimal solid (CIE XYZ), 1935
- This object theoretically contains all colours that can be observed up to a certain luminosity.
- CIELAB, 1976
- sRGB, 1996
- Depending on the intensity of these three lights, the screen can synthesize colours within a triangle, or a cube, in three dimensions.
- These colours are enough for most images, but we do miss some very vivid ones, such as those we see during a Sunset.
- CIECAM97s, 1997
- CIECAM01, 2002
- iCAM06, 2006
- SRLAB2, 2009
- CIECAM, 2016